Civil War songs, 1862
Music played an important role in the Civil War. Songs celebrated the cause, mourned the loss of life, and bound sings together in shared commitments to mutual sacrifice. These two songs, both written by women, one in the North and the other in the South, show the flexibility of Civil War music. The first is an example of the somber, sacralizing function of music, while the latter is an example of a lighthearted attempt at humor.
Julia Ward Howe, “Battle-Hymn of the Republic,” 1862
Mine eyes have seen the glory of the coming of the Lord:
He is trampling out the vintage where the grapes of wrath are stored;
He hath loosed the fatal lightning of his terrible swift sword:
His truth is marching on.
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, glory, hallelujah!
His truth is marching on.
I have seen Him in the watch-fires of a hundred circling camps;
They have builded Him an altar in the evening dews and damps;
I can read His righteous sentence by the dim and flaring lamps.
His Day is marching on.
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, glory, hallelujah!
His day is marching on.
I have read a fiery gospel, writ in burnished rows of steel:
“As ye deal with my contemners, so with you my grace shall deal;
Let the Hero, born of woman, crush the serpent with his heel,
Since God is marching on.”
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Since God is marching on.
He has sounded forth the trumpet that shall never call retreat;
He is sifting out the hearts of men before his judgment-seat:
Oh! be swift, my soul, to answer Him! be jubilant, my feet!
Our God is marching on.
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Our God is marching on.
In the beauty of the lilies Christ was born across the sea,
With a glory in his bosom that transfigures you and me:
As he died to make men holy, let us die to make men free,
While God is marching on.
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, glory, hallelujah!
While God is marching on.
Julia Ward Howe, “Battle Hymn of the Republic,” (Philadelphia: Published by the Supervisory Committee for Recruiting Colored Regiments, 1863).
Available through the Library of Congress
Margaret Weir, “Dixie Doodle,” 1862
Dixie whipped old Yankee Doodle
Early in the morning,
So Yankeedom had best look out,
And take a timely warning.
Hurrah! for our Dixie Land!
Hurrah! for our borders!
Southern boys to arms will stand,
And whip the dark marauders!
Yankee Doodles soundly slept
Upon their greasy pillows,
While Dixie boys, with muffled oars,
Were gliding o’er the billows.
Hurrah! for our Dixie Land!
Hurrah! for our borders!
Southern boys to arms will stand,
And whip the dark marauders!
Yankee Doodles, grease your heels,
Make ready to be running,
For Dixie boys are near at hand,
Surpassing you in cunning.
Hurrah! for our Dixie Land!
Hurrah! for our borders!
Southern boys to arms will stand,
And whip the dark marauders!
Anderson, the gallant brave,
Who broke upon their slumbers,
E’en little girls and boys shall sing
Your name in tuneful numbers.
Hurrah! for our Dixie Land!
Hurrah! for our borders!
Southern boys to arms will stand,
And whip the dark marauders!
A thousand blessings on your heads,
Our brave, unflinching leaders,
A light you are upon the path
Of all our brave seceders.
Hurrah! for our Dixie Land!
Hurrah! for our borders!
Southern boys to arms will stand,
And whip the dark marauders!
Wright, on Carolina’s coast,
Was e’er a hero bolder?
He seized a Yankee foe, and made
A breastwork of the soldier.
Hurrah! for our Dixie Land!
Hurrah! for our borders!
Southern boys to arms will stand,
And whip the dark marauders!
Louisiana, bold and brave,
Renowned for Creole beauty,
Your champions will bear in mind
The watchword, grace and booty!
Hurrah! for our Dixie Land!
Hurrah! for our borders!
Southern boys to arms will stand,
And whip the dark marauders!
Yankee Doodle, fair thee well,
Ere long you’ll be forgotten,
While Dixie’s notes shall gaily float
Throughout the land of cotton.
Margaret Weir, “Dixie Doodle,” (New Orleans: P. P. Werlein & Halsey, 1862)